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Limestone relief depicting the race of Atalanta and Hippomenes, early 17th century

Traditions in Sculpture

From earliest times sculptors have created works intended to inspire devotion, to tell stories, to commemorate individuals or to capture beauty in a lasting form. These reflect the different traditions of their cultures.

Sculpture gallery

Above: Marble bust of Emperor Antoninus Pius, c.140AD.

Click on any of the images of objects below to see a larger picture and find out more about it.

Classical and Christian Traditions

The ancient world celebrated civic heroes, revered gods and goddesses and commemorated the dead in sculptural forms. From the 15th century onwards, the rediscovery of the work of ancient Greece and Rome inspired artists of the European Renaissance and after.

Classical stories of gods and goddesses provided rich inspiration for decorative works. The human form was a constant subject, with its challenge of bringing an individual to life in materials such as bronze, stone and marble.

In the Christian tradition works of art, including sculptures, were a focus for devotion and the illustration of Biblical stories. Stories for the Old and New Testaments inspired sculptures created for religious and private settings.

The Judgment of Paris by Guiseppe Mazza
Adam and Eve, from a bronze by Lorenzo Ghiberti
Rorie Matheson as the infant Bacchus by Alexander Munro

Portraying the Individual

Working in three dimensions, sculptors can capture a good likeness of an individual. Common in classical times, the portrait bust became a popular form in European art. It was used to celebrate beauty, to recognise achievement and to commemorate individuals. Busts might be commissioned by a group or organisation in recognition of an individual or as a personal commission by an artistic patron.

Full-length statues were created for similar purposes and used particularly to depict children and for significant commemorative pieces.

This emphasis on the individual is characteristic of the strong secular and figurative tradition in western European art.

Madam Victoire by Louis-Claude Vasse
Fabio Feroni by Giovacchino Fortini
Lord Kelvin by Archibald McFarlane Shannon

Hindu and Buddhist traditions

Hindu and Buddhist religions both have a strong sculptural tradition.

In Hinduism the great gods – Vishnu the preserver, Siva (Shiva) the destroyer, and Brahma the creator – exist in multiple incarnations alongside a host of lesser gods and goddesses. They create, look after and destroy the world in an endless cycle. Their stories and personalities have inspired sculpture ranging from the large and formal to the small and personal.

Sculpture gallery. Photo © Jenni Sophia Fuchs.

Above: 18th-19th century Japanese Buddha. Photo © Jenni Sophia Fuchs.

In contrast, Buddhist art and sculpture focuses largely on the portrayal of the Buddha himself, often inspired by the significant moment of the end of his search for divine enlightenment.

The artistic traditions of both Hinduism and Buddhism emphasise consistency in their portrayal of the many forms of the divine, although sculptural works can reflect national and regional styles.

Buddha sitting cross legged in meditation, Gandhara school, India
Krishna and his flute
Durga slays the monster by Diren Ch Karmakar

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National Museums Scotland, Scottish Charity, No. SC 011130