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Raiki wara batik, Alison (Milyika) Carroll, Ernabella Arts, Australia, 2006

Living Lands

Landscapes shape us as much as we shape them. They influence what we believe in, what we make and what we own.

The Living Lands gallery examines traditional values and contemporary lives of indigenous peoples. Combining historic collections with new acquisitions, the gallery moves across the deserts of Australia, to the coasts of Pacific North America and northern Japan, and over the high plateau of Tibet to the North American Arctic. For the indigenous peoples who call these places home, these are the lands of their ancestors and the foundation of their cultures.

The Living Lands gallery

Above: Figures and camp dogs made by Australian Aboriginal artist Wally Pwerle.

Click on any of the images below to see a larger version of the object and find out more about it.

Marking the Land

On entering the gallery visitors will encounter four gateway objects which stand as entry points to the four different sections of the gallery. The Nisga’a memorial pole from British Columbia was brought to Scotland in 1929; the figures and camp dogs made by Australian Aboriginal artist Wally Pwerle were purchased in 2008. The Tibetan Prayer Wheel House and Inuksuk were commissioned and built in the gallery.

Figures and camp dogs © Wally PwerleMemorial polePrayer Wheel House © Kagyu Samye Ling Buddhist MonasteryInuksuk

Landscapes and Peoples

The gallery is divided into four sections. Each section uses the Museum’s collections to explore the culture of indigenous communities in a different region of the world.

Land of Dreamings

For Australia’s Aboriginal peoples, the lands in which they live were mapped and created by their ancestors in the Dreaming. Highlighting the importance of knowing the land and managing its resources, this section also explores the ways in which communities’ lands are layered with meanings.

Glass spearheadArmbandBasketA Very Hot Day

Waterways and Lifeways

The traditional lands of the indigenous peoples of the Pacific Northwest of North America and the Ainu peoples of northern Japan are lush coastal and wooded areas. The arts displayed show the vitality of these cultures, and the rich artistic expression common to both.

Halibut hook with carved likeness of a birdChief's headdress with Bear crest frontletAinu cotton robe with appliqué decorationWall hanging in the form of a textile © Kaizawa Tōru

On the ‘Roof of the World’

The Tibetan Plateau is the highest inhabited region on earth. For Tibetans, it is a sacred land where Buddhism remains central to their lives. Displays reveal traditional aspects of Tibetan life, whether lived on the move through pilgrimage, nomadic herding and trade, or in Lhasa, the Tibetan capital.

Tsa-tsa depicting Buddhist deitiesTinned copper skull-shaped cupWoman's outfit from southern TibetYak leather bag

Northern Lands

The North American arctic and sub-arctic are areas of extreme temperature fluctuation and traditional life involved adapting and moving with the seasons. Exquisitely crafted clothing reveals local identities and skilled use of resources. Masks and sculpture embody the beliefs that relate to respect for animals and detailed knowledge of the natural world.

Parka of sea mammal intestineCopper harpoon head with bone shaft. From University of Edinburgh Collections.Model snowshoes of wood and babicheFancy hunting boots

Interactives

Developed for a family audience, children and adults together will be able to watch specially commissioned videos relating the making the Tibetan Prayer Wheel House and the partnership project with the Tlicho nation. Children can enjoy hands-on experiences making prayer flags to take home, exploring arctic materials through touch, and discovering the many (and sometimes surprising) uses of an Australian aboriginal shield.

Tibetan Prayer Wheel House in the Living Lands gallery

Above: Tibetan Prayer Wheel House.

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National Museums Scotland, Scottish Charity, No. SC 011130