The National Museum of Scotland is devoted to showcasing and
promoting contemporary work by national and international makers.
Here you can find out more about the Gifted makers for 2009-2010.
Click on the images of the makers' works to see them in more
detail.
Donna Barry
Jewellery – Edinburgh
Working with silver and gold, I use my own
customized technique of fusion to create textured sheets. I overlap
petal like shapes into regular and irregular patterns. By working
and forming the metal in various ways, I produce delicate pieces of
jewellery resembling flora and fauna. Large neckpieces, brooches
and rings are made up of continuous floral and bud clusters, whilst
others are constructed of fine sheet layers that glisten and often
move.

Erin Daly
Jewellery – Edinburgh
The pieces I make are designed around the body; making,
physically putting the piece on, observing and altering until a
balance is achieved. This freedom of expression gives my work a
fresh spontaneous quality.
Working directly with the material from an early stage is a key
part of the design process. Drawing down both sheet and wire by
hand allows me to constantly reflect on its weight and length.
Repeated links create fluidity that work in harmony with the
wearer. Texture and pattern that capture and reflect the light are
embossed, hammered and roll printed onto otherwise understated
lines heavily influenced by plant forms and geometric shapes.

Lucy Dunce
Ceramics – East Lothian
My ceramics are deliberately simplistic in
construction allowing the painted surface to take precedence. The
creative starting point for me continues to be the blank, hump
moulded clay form. From here multiple layers of underglaze are
applied building an essential depth of colour. Both optical,
graphic style and more fluid plant based themes owe more, in their
application, to drawing and painting traditions than those used,
conventionally, in the potting world. I sit comfortably between the
two.

Daniel Kavanagh
Ceramics – Nairnshire
My forms are classical and contemporary in their
style; defined by crisp elegant lines and flowing shapes.
Inspiration is drawn from ancient and traditional pottery and the
Highland landscape. Contrast is a key theme where I explore
elements of control through the form’s construction which is then
complimented by the unpredictable use of organic and fortuitous
glazes to the surface. The ultimate challenge is to have created
something that is both beautiful and complete.

Anna King
Weaving – Edinburgh
My practice evolves from my writing, the analogy is of a
narrative thread which runs through everything I do. Words are the
raw material, the source of inspiration which can be interpreted in
many ways.
Myth, mystery and history pervade all that I make. Memories are
stitched or woven into the work, the most basic crafts are all that
is needed to give the ideas life, that and a vivid imagination.

Jaimie Macdonald
Jewellery – Edinburgh
My work is made largely from reused plastics, and other
otherwise discarded materials that catch my eye. Each piece is
constructed from individually manipulated sections and assembled to
create multiple layers inspired by the textures of the Scottish
landscape.
I am passionate about experimenting with materials and creating
pieces which have an awareness of sustainable design, giving people
the choice of meaningful objects which fit with their values.

Hannah McAndrew
Ceramics – Castle Douglas
My pots are for using and enjoying. I love the
challenge of making pots that work well, feel good and look
attractive. Thrown in red terracotta my pots are decorated using
coloured slips and rich honey glazes. The decoration so key to my
work takes its form from all over, including the trees and plants
lining my ride to work to the strutting partridges in the farmyard
at the studio.

Sandra Murray
Jewellery – Edinburgh
As a child I loved working with my hands. In those days, I would
make rings from paper, paste and glitter. The materials have since
become precious metals, but the imagination remains that of one who
finds magic in the art of jewellery.
Etruscans, Incans, flora and fauna inhabit the world of my
jewellery. Simplicity and adornment are the keys to my designs.

Astrid Weigel
Textiles – Ayrshire
Using floral elements as its central theme and primarily a
palette of black and white, my latest work reflects and combines my
interest in gardening, sewing, bold graphic woodcut / lino prints
and gives a nod to mid 20th Century Design.
Fabrics are printed by myself in short runs using natural
materials and items are embellished using cloth gathered from a
broad range of sources – new, old, found and donated.

Aamos Designs – Emma Blain and Claire Henry
Textiles – Shetland
Aamos Designs is our unique,
Shetland-based textile company specialising in contemporary
woven textiles. We started the company in 2006 after
graduating from the Glasgow School of Art.
We are well-known for our playful but confident use of colour
and enjoy exploiting and honouring traditional techniques, to
create unique and luxurious hand-woven fabrics.

stripykat – Katie Brown
Textiles – Edinburgh
stripykat was born to create fun, quirky and unique handmade
bags and accessories. My Textile and Fashion Design degree allowed
me to explore and develop the diversity of colour and texture,
which I continue today.
I use both the traditional and cosmopolitan elements of the city
as my inspiration. stripykat bags and accessories are there to be
noticed, to compliment your outfit and personality. All products
are totally unique, each designed, cut and sewn by me.

Feel Fuzzy – Debi Jack
Accessories – Edinburgh
I am inspired by my nostalgic memories of childhood
and enjoy breathing life into charming, unwanted children’s items.
A lot of my time is spent searching for vintage gems and coming up
with new ways to reintroduce them into people’s lives.

Lynne MacLachlan
Jewellery – Glasgow
My structural jewellery aims to weave together and
explore the relationship between the opposed realms of craft and
computing; mathematics and nature. Natural Forms, particularly of
butterflies and insects are abstracted into graphic patterns using
computer aided design. With an emphasis on repeat pattern, line and
negative space, the resulting patterns are etched onto silver and
hand built with traditional jewellery techniques. Finally, enamel
and gemstones bring colour and light to the pieces. The result is a
colourful, eye catching collection of jewellery which is still easy
to wear.

Lara Scobie
Ceramics – Edinburgh
My work is concerned with the dynamic interplay between form and
pattern and is inspired by incidental shapes, patterns and colours
observed in the natural environment. The simple, considered forms
are either slip cast or constructed from soft slabs of clay and
painted with layers of Parian slip.
I studied at Camberwell College of Art and I have since
exhibited extensively. I have work in both public and private
collections both in the UK and abroad.

Pumpkinspütnik – Emma Wilson
Paper – Glasgow
When I go out to take photos for my designs I’m always drawn to
interesting patterns and shapes in nature, the silhouettes of trees
or bold leaf shapes and the contrasts of colour and pattern.
There is something very special about making a book -
transforming a pile of paper into something more - knowing that
people are going to write their thoughts and ideas in it. All those
possibilities…

Misun Won
Jewellery – Edinburgh
Based on the idea of Korean patchwork, I have used
the circle to develop a variety of complex forms in silver to make
a subtle and varied collection of objects. Using a ‘patchwork’
of circles, I make rhythmical structures and patterns from one
sheet of silver. My work uses these complex forms on their own
or in combination with other materials such as colour thread and
silk cord.

rhi Design – Robyn Inkster
Accessories – Shetland
I started my business after being inspired by a
very large bag of wool, felt scraps and an inherited need to make
things!
The original designs were for brooches made from circles and
buttons, but after trying a few I progressed onto the dog inspired
pieces which are becoming very popular, this has resulted in
contemporary, wearable brooches and keyrings and an ever expanding
business.

Kirsteen Stewart
Textiles – Orkney
My designs are inspired by things I see and people I meet, at
home and on my travels. I am based in the Orkney Islands – a very
creative place to be. I also work closely with fair-trade producers
in Bangladesh and Kenya, where a range of my products are made.
I have always been fascinated by detail, and many of my designs
evolve from everyday objects or things I have seen on my trips –
the pattern on a porcelain tea cup, a piece of crochet work by my
grandmother, tribal patterns and jewellery.

Kathryn Pearce
Glass – Argyll
I am a Scottish glass artist who has been working professionally
for over 5 years. I graduated from Edinburgh College of Art in 2003
and after gaining experience working with various other glassmakers
I started my own company in 2004.
I work predominantly with molten glass which I blow and hot work
to create my unique designs. Some pieces then require extensive
cold-finishing using diamond grinding, polishing and sandblasting
techniques.
The design and manufacture of my work is an interesting journey,
it is a cross between inspiration and process. I gain inspiration
from many things, but most importantly glass itself inspires me.
Glass is a frustrating and difficult medium, but the results more
than make up for it. It’s versatility offers everything my creative
mind desires.

Joni Phippin
Jewellery – Inverness
I create quirky contemporary jewellery which explores and
exploits the contrast in the materials. Natural against man made,
matt with gloss, smooth and fibrous. Traditional wet felting
techniques are at the heart of my work.
The thrill of taking the ordinary and creating something
extraordinary never fails to excite me. I strive to construct clean
modern pieces that range from everyday wearable to individual art
pieces not for the faint hearted.
