-- (1908a). An Artist’s Recollections of Edinburgh. Otago Witness, No. 2853 November 18.

-- (1908b). Fine Art Gossip. The Athenaeum, No.4235 December 26: 826–827.

Adamson, G. (2013). The Invention of Craft. Bloomsbury: London.

Anderson, P. (1991). The Printed Image and the Transformation of Popular Culture. Clarendon Press: Oxford.

Beegan, G. (2008). The Mass Image A Social history of photomechanical reproduction in London. Palgrave Macmillan UK: Basingstoke, Hampshire.

Belknap, G. (2016). From A Photograph: Authenticity, Science and the Periodical Press, 1870-1890. Bloomsbury: London.

Chambers, W. (1882), Story of a Long and Busy Life. W. & R. Chambers: Edinburgh.

Cooney, S. M. 'A catalogue of Chambers's Encyclopaedia 1868.' Bibliotheck: A journal of Scottish bibiography and book history 1999, Vol. 24, 17-110.

Crane, W. (1907). An Artist’s Reminiscences. Methueun & Co. London.

De Freitas, L. J. (1986) Commercial Engraving on Wood in England, 1700-1880. PhD Thesis, Royal College of Art: London.

De Maré, E. S. (1980). The Victorian wood-block illustrators. Gorden Fraser: London.

Feather, J. (2006). A History of British Publishing, 2nd edition, Routledge: Milton Keynes.

Friendly, M. 'The Golden Age of Statistical Graphics.' Statistical Science 2008, Vol. 23, No. 4, 502–535

Fyfe, Aileen (2012) Steam Powered Knowledge: William Chambers and the Business of Publishing. University of Chicago Press: Chicago.

Houfe, S. (1992). Fin de siècle: The Illustrators of the Nineties. Barrie & Jenkins: London.

Houston, F. (2000). Nineteenth-Century wood engraving in Scotland. Masters thesis, University of St Andrews: St. Andrews.

Ivins, W. M. (1996). Prints and Visual Communication. 9th edition. Da Capo Press Series in Graphic Art. The MIT Press: Cambridge, MA, USA.

Jackson, J. and Chatto, W. A. (1861). A Treatise on wood engraving: historical and practical, with upwards of 300 illustrations engraved on wood. Bohn: London.

Katz, B. (1970). Cuneiform to Computer: A history of reference resources. Scarecrow Press: London.

Lindley, K. (1970). The Woodblock Engravers. David & Charles: Newton Abbot.

Linton (1882) Wood Engraving: A Manual of Instruction. George Bell & Sons: London.

Rota, A. (1998). Apart from the Text. Private Libraries Association: Pinner, Middlesex.

Twyman, M. (2009). 'The Illustration Revolution.' In Cambridge history of the book in Britain, chapter. Cambridge University Press.

Uglow, J. (2006). Nature’s engraver: A life of Thomas Bewick. Faber and Faber: London.

Weedon, A. (2003). Victorian Publishing: the economics of book production for a mass market 1836-1916. Ashgate: Aldershot, Hants.

Back to top