Carved oak door, from a house in Blyth's Close in Edinburgh, possibly occupied by Mary Of Guise between 1542 and 1554, with later addition in 1557 of the coat-of-arms of Alexander Aitchison, decorative motifs typical of Scottish work of the mid 16th century

Oak door from Amisfield Tower, Dumfriesshire, depicting Samson tearing open the jaws of a lion, with a shield at the top bearing the arms of Charteris and Herries and the date 1600

Carved oak door, from a house in Blyth's Close in Edinburgh, possibly occupied by Mary Of Guise between 1542 and 1554, early 16th century AD

Aumbrie door showing the head of a young man facing to his left within a circle outlined in leaves: possibly from Stirling

Aumbrie door showing the head of a young man facing to his right within a circle outlined in leaves: possibly from Stirling

Upper door hinge in bronze of hollow L-shape with a pivotal peg at the upper corner inscribed with a hieroglyphic inscription, including cartouches re-inscribed by King Psamtek II: Ancient Egyptian, Lower Egypt, Memphis, Late Period, 26th Dynasty, 664 - 525 BC

Door of light wood with front carved in bold relief and painted in white and dark brown with figures of a lizard, bird, tortoises, and human: Africa, West Africa, Northern Nigeria, Bassa Province, Igala, early 20th century

Door of carved wood: Asia, South East Asia, Indonesia, Borneo, Kalimantan, Bahau, probably 20th century

Bronze door-knocker with Neptune on two seahorses: Italian, Florence

Bronze door knocker with Neptune holding a trident between two seahorses after a model attributed to Alessandro Vittoria: Italian, Venice, late 16th century or later

Glass door knob enclosing a sulphide cameo head of William Ewart Gladstone: Scottish, Edinburgh, Holyrood Glassworks, by W. Ford and Co., c. 1881

Cabinet door, sandalwood carved with leaves, flowers, deities from the Hindu pantheon and scenes from daily life: India, Mysore, possibly 19th century

Door with two main panels of oak, one with the Royal Arms of Scotland, held within a mid 19th century softwood frame and with a mid 19th century softwood carved panel depicting a thistle plant at the top, with ironwork of the 19th century in an antiquarian style, formerly one of the doors of the Antique Room at Wooers' Alley, Dunfermline

Doorstop, blown glass paperweight-shape with clear colourless outer layer containing a segmented iridescent rust coloured form, England, London, The Glasshouse, Annette Meech, 1983

One of a pair of carved hardwood doors commissioned by Shell-BP Nigeria for presentation to David Fleming CBE, Managing Director of oil operations in Nigeria: Nigeria, 1965

One of a pair of carved hardwood doors commissioned by Shell-BP Nigeria for presentation to David Fleming CBE, Managing Director of oil operations in Nigeria: Nigeria, 1965