Alice is the Curator of Medieval Archaeology & History, with responsibility for the late medieval collections.

Matthew is a Senior Curator of Prehistory responsible for the Scottish Chalcolithic and Bronze Age collections. He is also responsible for the Scottish archaeological human remains collections.

We recently undertook a major national review of the collections from the Pacific region in museums across Scotland, funded by the Esmée Fairbairn Collections Fund.

The National Museums Collections Centre in Granton, Edinburgh is a specialist facility where we care for and research our collections.

Our outreach and engagement projects expand the reach and impact of the national collections far beyond the walls of our museums.

Collections in Highland, Argyll and Bute, Orkney and Shetland.

The National Fund for Acquisitions (NFA) helps museums, galleries, libraries and archives throughout Scotland to make acquisitions for their collections.

The use of social media platforms in promoting entomological collections.

Victoria (Tori) Adams is the Assistant Curator responsible for collections from Oceania, Africa, Americas, and the Ancient Mediterranean including Ancient Egypt.

National Museums Scotland has strong connections with Japan and other countries through international research interests in our historic Japanese collections.

We are constantly working to enhance and improve our storage and research facilities, to preserve and study our collections and increase access, particularly for researchers.

Find out general information about how you can engage with our museums and collections.

Collections in Ayrshire, South Lanarkshire, Inverclyde, Renfrewshire and Glasgow.

National Museums Scotland has been collecting objects for over 150 years. In common with many other museums, one of the ways we ensure our collections are properly managed and accessible, is to review and, where appropriate dispose of those objects identified as no longer appropriate for the national collections.

Volunteers help in many of our departments and play an important role, increasing our visitors' enjoyment and understanding of our collections

Here we examine a decorated wooden box in the collections of the Highlanders Museum that was purchased as a souvenir from Afghanistan in 1880.

Dr Louise Boyd is the Curator for the Japanese and Ainu collections.

On 31 October 2014, Dr Chris Lee presented Margaret’s Wardrobe at the National Museum of Scotland, as part of Luminate: Scotland’s Festival of Creative Ageing. This illustrated talk showed how personal collections can help preserve self-identity, and how our museum collections continue to stimulate memories and discussion.

Learn how to say colours in Mandarin, explore the museum collections virtually and create your own Chinese object card.

‘The Matter of Slavery in Scotland’ was a collaborative research project with the University of Edinburgh which explored the history and legacy of Scotland’s connections with the transatlantic slave system through objects in public collections.

This Boulton & Watt engine was the first full-sized engine acquired for the collections and is one of the oldest surviving beam engines in the world.

We’ve teamed up with upcycling experts Ostrero and artist Bryony Knox to create a design for a cool owl badge – made form a fizzy drinks can! Try it out today.

This project, funded by a Carnegie Trust Research Initiative Grant, is undertaking research into African collections acquired from Scottish travellers, missionaries and explorers, focusing on the period between 1870 and 1930.

Get hands-on with craft ideas inspired by our collections.

Daniel Potter is assistant curator of the Ancient Mediterranean collections.

We are always working with other Scottish museums on partnership projects that can raise the profile of long-term preservation and engagement with collections nationally.

Explore the digital alternatives to this year's festival from the comfort of your home.

We are offering free, basic collections knowledge and skills training for Scottish museums with ancient Egyptian or East Asian collections.

We have a range of events and CPD for teachers looking to visit our museums or use our collections in their classrooms.

These four unique instruments were specially created for Performance and Lives gallery at the National Museum of Scotland by internationally renowned composer and artist Victor Gama.

One of the aims of the project is to begin to untangle the many ways in which objects come into museum collections. Here we investigate the provenance of a fly whisk associated with the Indian Uprising of 1857-8.

Find out more about the AHRC project and its precursors.

Want to work with us? Every member of staff has a key role to play in preserving and interpreting our collections and making them accessible to all. Our volunteers provide vital help in running events, caring for our collections and sharing knowledge.

We care for museum collections of national and international importance, presenting and interpreting them for a broad audience. Discover the diversity of all we do here.

This touring display of a unique sword and targe from the collections of National Museums Scotland visited Perth Museum and Art Gallery and Inverness Museum and Art Gallery.

Here you can find updates on the Military Collections and the British Empire Project including object stories and summaries of our workshops and events.

From intricate firelighting tools to rocket-powered aircraft and a fire alarm with a difference, our collections feature intriguing links to the element fire.

HomeWorks is a project inspired by art and design collections at the National Museum of Scotland. Led by artists Katie and Sophie Orton and Ali Glanville-Jones, the workshops aim to inspire creativity, connect people to our new Art, Design and Fashion galleries, and encourage an understanding of design processes.

Georgina Ripley has an MA in the History of Art (specializing in the History of Dress) from the Courtauld Institute of Art, London. She is responsible for the modern and contemporary fashion and textile collections from 1850 to the present day.

Our specimens represent Scotland’s geological history and global mineralogical diversity.

Internationally-renowned artist Andy Goldsworthy continues his dialogue with the Scottish archaeology collections and reflects on the themes of the Glenmorangie Research Project.

This collaborative project combines research on one of the founding collections of the National Museums Scotland and fieldwork with contemporary makers in Polynesia to investigate the history, changing nature and present-day significance of barkcloths, many of which date back to the first European exploratory voyages in the Pacific region.

Find out more about our edited volume, published by Manchester University Press.

Friederike Voigt is Principal Curator of Middle East and South Asia, and head of Asia section.

Research is core to our activities as a Museum, crucial to our stewardship of collections and to the intellectual development of subject knowledge.

Scotland 365 is an exciting new project to transform the way we engage young people aged 16-25 with our collections.

Thanks to support from players of People’s Postcode Lottery, we are able to create opportunities for people of all ages, abilities and walks of life to enjoy our museums and connect with inspiring collections. We are very grateful to the Postcode Culture Trust for enabling us to create these opportunities.

Our international workshop drew together speakers from a wide range of disciplines, and invited regimental, corps and service museum curators to discuss collecting cultures in military contexts beyond the parameters of the project, as well as contemporary themes including issues of reparation and return.

These medieval chess pieces from the Scottish island of Lewis are among our most popular collections. They give us fascinating insights into the international connections of western Scotland and the growing popularity of chess in medieval Europe.

Find out more about the diversity of our science collections, our research and our commitment to science communication through formal and informal learning.