Skip Navigation or Skip to Content

Glenmorangie Research Project into Early Medieval Scotland

From the Picts to the Viking Age, the early medieval period was a time of great creativity, from which the kingdom of Scotland was born.

Last updated: 21 March 2022

About the project

The Early Medieval period (around AD 300 – 1100) was a time of radical change, new identities and consequential transformations. This era saw the rise and fall of the Picts, the introduction of Christianity, the expansion of Gaelic and the onset of Viking invasions. The result was the earliest political entity known as ‘Scotland’ by the twelfth century. And yet it is not a well-known period of Scotland’s history.

Beautiful and sophisticated objects, sculptured stones, and manuscripts were produced in Scotland during this time, and through The Glenmorangie Research Project, we are able to uncover their stories and share them like never before.

Project details

Project title

The Glenmorangie Research Project into Early Medieval Scotland

Project active

2008 - 2021

Research theme

Scotland's Material Heritage

Contributors

Curatorial Team

David Clarke – Keeper, 1981-2011

Martin Goldberg – Main contact, Principal Curator of Medieval Archaeology and History

Alice Blackwell – Senior Curator, Medieval Archaeology & History

Fraser Hunter – Principal Curator of Prehistoric and Roman Archaeology

Glenmorangie Research Fellows

Phase 1 – Early Medieval Scotland
Alice Blackwell, 2008-2011

Phase 2 – Creative Spirit
Alice Blackwell, 2011-2012
Mhairi Maxwell, 2013

Phase 3 – Scotland’s Early Silver
Alice Blackwell, 2014-2017

Phase 4 – Creating Scotland
Adrián Maldonado, 2018-2021

Books

The Glenmorangie Project produced three richly illustrated books showcasing the most iconic objects from the Early Medieval period collections, and highlighting the latest new research.

Early Medieval Scotland: Individuals, Communities and Ideas
David V Clarke, Alice Blackwell and Martin Goldberg (2012)

Scotland’s Early Silver: Transforming Roman Pay-offs to Pictish Treasures
Alice Blackwell, Martin Goldberg and Fraser Hunter (2017)

Crucible of Nations: Scotland from Viking age to Medieval kingdom
Adrián Maldonado (2021)

  • Stone cross slab, the back is highly decorated including a hunting scene, but the original carvings on the front were carved off for re-use as a gravestone, Pictish, found at Hilton of Cadboll, Ross and Cromarty, 7th or 8th century AD

    Stone cross slab, the back is highly decorated including a hunting scene, but the original carvings on the front were carved off for re-use as a gravestone, Pictish, found at Hilton of Cadboll, Ross and Cromarty, 7th or 8th century AD

  • Monymusk Reliquary consisting of a rectangular casket and lid in the form of a roof, made from wood, copper alloy, silver, enamel and blue glass, decorated with intertwined animals, and possibly once containing a relic of St Columba, from around the 8th century AD

    Monymusk Reliquary consisting of a rectangular casket and lid in the form of a roof, made from wood, copper alloy, silver, enamel and blue glass, decorated with intertwined animals, and possibly once containing a relic of St Columba, from around the 8th century AD

  • Hunterston Brooch, an early Christian brooch with panels of gold filigree in Celtic and Anglo-Saxon styles, from Ireland or the West of Scotland, c. 700 AD

    Hunterston Brooch, an early Christian brooch with panels of gold filigree in Celtic and Anglo-Saxon styles, from Ireland or the West of Scotland, c. 700 AD

  • Viking sword hilt of bronze inlaid with silver, from Eigg, 9th century

    Viking sword hilt of bronze inlaid with silver, from Eigg, 9th century

  • Rectangular bronze mount with cast decoration within a raised border of a wolf in high relief, with background of scrolls in low relief, from a grave of a woman and infant, Westness, Orkney, 850 - 900 AD

    Rectangular bronze mount with cast decoration within a raised border of a wolf in high relief, with background of scrolls in low relief, from a grave of a woman and infant, Westness, Orkney, 850 - 900 AD

View full screen

Early Medieval objects

One of the most important legacies of the Glenmorangie Research Project was capturing brand new photography of hundreds of objects in the Early Medieval collections.

Explore our collections

Bringing the past to life

The Glenmorangie Research Project has always promoted a creative approach to the past, and from its inception has invited collaboration with leading artists and craftspeople. Over the course of the project we commissioned 7 object recreations of various kinds, from objects which don’t survive such as the wooden Pictish throne, to objects which survive in part, like drinking horns and leather satchels. Find out more about our Creative Spirit object recreations.

Early Medieval-style hand-bells

Hand-bells made from a wrought iron sheet folded and riveted together, then covered inside and outside with bronze.

Throughout the course of the project we hosted a series of Glenmorangie Annual Lectures with leading artists and makers. You can catch up with lectures by Andy Goldsworthy, Cornelia Parker and Malcolm Appleby.

In the most recent phase of the project, we went in a new direction with the Glenmorangie Commission. We invited leading metalsmith Simone ten Hompel to create a new craft work inspired by research on our early medieval silver. Find out more about the Glenmorangie Commission and Simone’s work, Coordinate.

Exhibitions

The Glenmorangie Research Project also mounted two exhibitions. Creative Spirit, 2013-14, was a showcase of several recreated objects from the second phase of the project. Scotland’s Early Silver was the result of the third phase of the project, along with the accompanying book. The exhibition started in the National Museum of Scotland in 2017-18 and went on a national tour to Museum nan Eiliean, Stornoway; Kirkcudbright Galleries, and Duff House, Banff (2018-19). The exhibition can still be explored through a series of films made by the curators, or through the online exhibition.

Explore

Throughout the lifetime of the Project, the Glenmorangie Research Fellows and curators have also produced a variety of online resources, including spotlight blog posts and more detailed collections stories.

Email icon Dr Martin Goldberg

Supported by

About the partnership

The project is a pioneering partnership between The Glenmorangie Company and National Museums Scotland that was inspired by the Hilton of Cadboll stone. This stunning piece of early medieval sculpture was found close to the Glenmorangie distillery in Tain, Easter Ross, and is on display at the National Museum of Scotland in the Early People gallery. The carvings on the stone also provided the inspiration for the Glenmorangie brand logo.

Thanks to The Glenmorangie Company’s support, National Museums Scotland has been able to undertake ground-breaking research on this fascinating period of Scotland’s early history.

You may be interested in

Back to top