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This opulent deep red coral and 18 carat gold necklace was created by Yazzie Johnson and Gail Bird. The self-taught artists are seen as key innovators and established figures in the field of contemporary Southwestern American Indian jewellery, taking their inspiration from traditional Native American design and the precious materials they use in their pieces.

Coral necklace fact file



Made in

New Mexico, USA

Made by

Yazzie Johnson (b. 1946) and Gail Bird (b.1949)

Made from

Coral, gold


Length 930mm


Purchased from Yazzie Johnson and Gail Bird

Museum reference


On display

Inspired by Nature, Level 5, National Museum of Scotland

Did you know?

Johnson and Bird have known each other since childhood and started making jewellery together in 1972.

This necklace is... a fashion piece, a very wearable object, but has also a very traditional cultural link because of the colours and the material.
- Gail Bird, 2009

About the necklace

Coral necklace by Yazzie Johnson and Gail Bird

With this necklace, Bird and Johnson have created a unique work which reflects both their indigenous cultures and their passion for contemporary design. Working in New Mexico, the pair display their jewellery at the Santa Fe Indian Market, the largest Native American Indian arts market in the world, where the necklace was acquired in 2009.

The necklace consists of coral beads, six bezel set cabochon coral pieces, and eight hand-forged gold spacers.

Cultural continuation

Speaking at a conference in London in 2009, Bird explained that the pair considered their work ‘an extension and continuation of the jewellery arts of the Southwest.’ In this necklace, the size and shape of the eight discoidal gold beads resemble shell and stone necklaces produced in the Southwest for centuries, while the six coral cabochon are reminiscent of to the large beads commonly associated with early Navajo and Pueblo jewellery.

A Pueblo necklace consisting of a double loop of white shell beads, with pieces of turquoise at intervals: Pueblo, New Mexico, USA, c. 1900

Silver and turquoise necklace with a double row of silver beads, graduated tabs of turquoise cabochon, and silver and turquoise naja shape: Zuni, New Mexico,USA, attributed to Eskisosi, 1920

Above: The Pueblo shell necklace (top) and Navajo silver & turquoise squash blossom necklace (below) both display traditional Native American jewellery design techniques which inspired aspects of the necklace.

The choice to use only the rarest and highest quality coral available also visually relates the necklace to traditional Native American jewellery design, as well as adds to its uniqueness, as Bird explained during a visit to National Museums Scotland in December 2009:

Coral in the Southwest is seen as a precious resource. It really has become part of the value system, and the culture of both Pueblo and Navajo people. It’s incorporated into the colour scheme and the belief system of the Navajo and into the traditional apparel of Pueblo women.

Design by collaboration

Collaborating since the early 1970s, Bird and Johnson have developed a distinctive aesthetic. Each piece is hand-made, combining the artists’ keen sense of contemporary design with unique materials and traditional techniques, perfected through years of self-study and experimentation. Currently working mainly in gold with a wide range of precious stones, the pair select the materials for each piece carefully. A particular stone is only used when they believe they have found the right design in which to display it at its best.

A large piece of highly polished imperial jasper is set in silver onthe front: Yazzie Johnson and Gail Bird, 2009.

The back side of the belt buckle is silver and incorporates designs using the underlay technique: Yazzie Johnson and Gail Bird, 2009

Above: Front (top) and back (below) details of the silver and imperial jasper belt buckle by Johnson and Bird, 2009.

A distinguishing feature of their work are the necklace clasps, which typically are treated as an integral part of the overall piece. This necklace is intended to be worn with the decorative clasp on the right side of the wearer’s neck, creating an asymmetrical design.

  • Clasp Detail Back1

    Detail of the back of the clasp of the necklace.

  • Clasp Detail Front1

    Front of the clasp of the necklace.

  • Butterfly 1

    Butterfly on the gold underside of the coral.

  • Dragonfly 1

    Dragonfly design on the reverse of the coral.

  • Dragonfly 2

    Dragonfly design on the reverse of the coral.

  • Dragonfly 3

    Dragonfly on the gold underside of the coral.

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Expert metalwork

An expert silversmith, Johnson’s accomplished metalwork skills can be seen in the ‘underlay’ technique incorporated in the underside of their stone settings. In this necklace they feature dragonflies and butterflies inspired by traditional pottery designs and petroglyph (rock painting) images. The coral cabochon pieces swivel, allowing the wearer to alternate between displaying the coral stone and the gold underlay.

Oblate water vase, or olla, painted in black and red with figures of an elk and roadrunner: Zuni Pueblo, New Mexico, USA, c. 1900.

Above: Oblate water vase, or olla, painted in black and red with figures of an elk and roadrunner: Zuni Pueblo, New Mexico, USA, c. 1900.

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